Abstract
The short film No Bikini (director Claudia Morgado E., 2007) contains a variety of generically different camera positions establishing different points of view. Cinematographic features like these are hardly noticed the first time you see this charming short; they are well-crafted and transparent. A close analysis ventures to show that the camera positions in this film are intriguingly well chosen, skillfully supporting the viewers’ experience of seeing with the eyes of a child confronted with some strange norms of the adult world.
| Translated title of the contribution | Point of View i "No Bikini": - en cinematografisk analyse |
|---|---|
| Original language | English |
| Publication date | 24 Oct 2022 |
| Place of Publication | Danmark/www |
| Publisher | www.henrikjuel.dk |
| Number of pages | 8 |
| Publication status | Published - 24 Oct 2022 |
Keywords
- Cinematografi
- kameraarbejde
- point-of-view
- montage