Abstract
A group of youngsters perform their self-composed rap lyrics on stage in the Betty Nansen Theater in Copenhagen. The theater claims, that the performance portraits the youngsters as they truly are – as opposed to the medias portrayal. The play is part of an integration project, co-financed by the Danish Ministry of Integration.
This essay presents a critical analysis of the representation of the youngsters on stage. The analysis is especially based on the concepts of performance and performativity and on hip-hop as a genre framework for the representation.
This essay presents a critical analysis of the representation of the youngsters on stage. The analysis is especially based on the concepts of performance and performativity and on hip-hop as a genre framework for the representation.
| Original language | English |
|---|---|
| Title of host publication | Hip-hop in Europe |
| Editors | Sina A. Nitzsche |
| Place of Publication | Berlin |
| Publisher | LIT Verlag |
| Publication date | 2013 |
| Pages | 345-363 |
| ISBN (Print) | 9783643904133 |
| Publication status | Published - 2013 |
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