Abstract
With the Seismograf special issue Fluid Sounds, we bring this knowledge into the dissemination of audio research itself by introducing a new format: The Audio Paper. The purpose of the audio paper is to extend the written academic text: to present discussions and explorations of a certain argument or problem in sound. The audio paper is an extension of expressive means: Not only words and syntax are means of expression – so are tempo, time, voice, sound and music. Our goal is to bring analytical and performative awareness to academic means of expression, and the audio paper provides us with a new and experimental platform to do so.
| Original language | English |
|---|
| Place of Publication | København |
|---|---|
| Publisher | Seismograf/DMT |
| Publication status | Published - 31 Aug 2016 |
| Event | Fluid States North: Fluid Sounds - Various places in Amager, Copenhagen, Denmark Duration: 18 Jun 2015 → 21 Jun 2015 |
Conference
| Conference | Fluid States North |
|---|---|
| Location | Various places in Amager |
| Country | Denmark |
| City | Copenhagen |
| Period | 18/06/2015 → 21/06/2015 |
Keywords
- Sound studies
- Audio culture
- Audio paper
- Site-specificity
- situated knowledge
- materiality of sound
- technology
- performative aesthetics
- mediation
- performativity of sound
- affects and sensations
Cite this
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Fluid Sounds. / Krogh Groth, Sanne (Editor); Samson, Kristine (Editor).
København : Seismograf/DMT, 2016.Research output: Book/Report › Anthology › Research › peer-review
TY - BOOK
T1 - Fluid Sounds
A2 - Krogh Groth, Sanne
A2 - Samson, Kristine
PY - 2016/8/31
Y1 - 2016/8/31
N2 - Explorations and analysis of soundscapes have, since Canadian R. Murray Schafer's work during the early 1970's, developed into various established research - and artistic disciplines. The interest in sonic environments is today present within a broad range of contemporary art projects and in architectural design. Aesthetics, psychoacoustics, perception, and cognition are all present in this expanding field embracing such categories as soundscape composition, sound art, sonic art, sound design, sound studies and auditory culture. Of greatest significance to the overall field is the investigation of sound, site and the social, and how the spatial, the visual, and the bodily interact in sonic environments, how they are constructed and how they are entangled in other practices.With the Seismograf special issue Fluid Sounds, we bring this knowledge into the dissemination of audio research itself by introducing a new format: The Audio Paper. The purpose of the audio paper is to extend the written academic text: to present discussions and explorations of a certain argument or problem in sound. The audio paper is an extension of expressive means: Not only words and syntax are means of expression – so are tempo, time, voice, sound and music. Our goal is to bring analytical and performative awareness to academic means of expression, and the audio paper provides us with a new and experimental platform to do so.
AB - Explorations and analysis of soundscapes have, since Canadian R. Murray Schafer's work during the early 1970's, developed into various established research - and artistic disciplines. The interest in sonic environments is today present within a broad range of contemporary art projects and in architectural design. Aesthetics, psychoacoustics, perception, and cognition are all present in this expanding field embracing such categories as soundscape composition, sound art, sonic art, sound design, sound studies and auditory culture. Of greatest significance to the overall field is the investigation of sound, site and the social, and how the spatial, the visual, and the bodily interact in sonic environments, how they are constructed and how they are entangled in other practices.With the Seismograf special issue Fluid Sounds, we bring this knowledge into the dissemination of audio research itself by introducing a new format: The Audio Paper. The purpose of the audio paper is to extend the written academic text: to present discussions and explorations of a certain argument or problem in sound. The audio paper is an extension of expressive means: Not only words and syntax are means of expression – so are tempo, time, voice, sound and music. Our goal is to bring analytical and performative awareness to academic means of expression, and the audio paper provides us with a new and experimental platform to do so.
KW - Sound studies
KW - Audio culture
KW - Audio paper
KW - Site-specificity
KW - situated knowledge
KW - materiality of sound
KW - technology
KW - performative aesthetics
KW - mediation
KW - performativity of sound
KW - affects and sensations
M3 - Anthology
BT - Fluid Sounds
PB - Seismograf/DMT
CY - København
ER -