Abstract
The art project Becoming Sheep (2015), in which Charlotte Grum connected herself to a live sheep for 5 weeks, intended to explore the apparatuses producing human and non-human animals and to evoke the embodied and embedded mattering processes and practices, producing these very phenomena. Becoming Sheep turned into a diffractional aparatus cutting some things together and other things apart.
Original language | English |
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Journal | Performance Research: a journal of the performing arts |
Volume | 22 |
Issue number | 2 |
Pages (from-to) | 69-73 |
Number of pages | 5 |
ISSN | 1352-8165 |
DOIs | |
Publication status | Published - 1 Jun 2017 |
Keywords
- becoming animal
- mattering
- site specific performance
- diffraction
- intra-action