Angels, Demons, Birds and Dinosaurs

Creativity, Meaning and Truth in the Life, Art and Science of Gerhard Heilmann (1859-1946)

Christopher Jacob Ries

    Research output: Contribution to journalJournal articleResearchpeer-review

    Abstract

    In the years between 1912 and 1916, the Danish artist and graphic designer Gerhard Heilmann published a series of articles in the journal of the Danish Ornithological Society. From the outset, Heilmann's work aroused international interest, and in 1926 it was published in English as The origin of birds, setting the international agenda for research in bird evolution for the next 40 years. In Denmark, however, Heilmann's highly original work was generally ignored or even ridiculed by zoologists. This article demonstrates how Heilmann's artistic abilities played an important role in securing him international renown as a palaeontologist, while at the same time his lack of scientific credentials led to his complete isolation from the Danish zoological establishment. And it suggests that Heilmann's unyielding efforts to solve the riddle of bird evolution in the borderland between art and science, reflected a deeply felt emotional and spiritual need to counteract the religious dogmatism that had permeated his childhood and early youth, leaving memories and experiences that remained vividly painful throughout his life.
    Original languageEnglish
    JournalInterdisciplinary Science Reviews
    Volume35
    Issue number1
    Pages (from-to)69-91
    ISSN0308-0188
    DOIs
    Publication statusPublished - 2010

    Cite this

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    title = "Angels, Demons, Birds and Dinosaurs: Creativity, Meaning and Truth in the Life, Art and Science of Gerhard Heilmann (1859-1946)",
    abstract = "In the years between 1912 and 1916, the Danish artist and graphic designer Gerhard Heilmann published a series of articles in the journal of the Danish Ornithological Society. From the outset, Heilmann's work aroused international interest, and in 1926 it was published in English as The origin of birds, setting the international agenda for research in bird evolution for the next 40 years. In Denmark, however, Heilmann's highly original work was generally ignored or even ridiculed by zoologists. This article demonstrates how Heilmann's artistic abilities played an important role in securing him international renown as a palaeontologist, while at the same time his lack of scientific credentials led to his complete isolation from the Danish zoological establishment. And it suggests that Heilmann's unyielding efforts to solve the riddle of bird evolution in the borderland between art and science, reflected a deeply felt emotional and spiritual need to counteract the religious dogmatism that had permeated his childhood and early youth, leaving memories and experiences that remained vividly painful throughout his life.",
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    Angels, Demons, Birds and Dinosaurs : Creativity, Meaning and Truth in the Life, Art and Science of Gerhard Heilmann (1859-1946). / Ries, Christopher Jacob.

    In: Interdisciplinary Science Reviews, Vol. 35, No. 1, 2010, p. 69-91.

    Research output: Contribution to journalJournal articleResearchpeer-review

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    AB - In the years between 1912 and 1916, the Danish artist and graphic designer Gerhard Heilmann published a series of articles in the journal of the Danish Ornithological Society. From the outset, Heilmann's work aroused international interest, and in 1926 it was published in English as The origin of birds, setting the international agenda for research in bird evolution for the next 40 years. In Denmark, however, Heilmann's highly original work was generally ignored or even ridiculed by zoologists. This article demonstrates how Heilmann's artistic abilities played an important role in securing him international renown as a palaeontologist, while at the same time his lack of scientific credentials led to his complete isolation from the Danish zoological establishment. And it suggests that Heilmann's unyielding efforts to solve the riddle of bird evolution in the borderland between art and science, reflected a deeply felt emotional and spiritual need to counteract the religious dogmatism that had permeated his childhood and early youth, leaving memories and experiences that remained vividly painful throughout his life.

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