Projekter pr. år
Abstract
This chapter asks whether it is possible to harness the powers of ‘the popular’ and media culture in the service of humanitarianism. There is a need to critically balance an analysis of the potentially progressive and/or problematic aspects of a popularised humanitarian event. Exploring the energies that are at play in the popular ‘carnival’ of the Danish Roskilde Festival, this chapter examines how the carnivalesque can function both as a form of corporate branding and as a means to destabilise the status quo identified with a negatively branded segment of the population. The chapter also analyses the expansion of the festival into cyberspace, and the offline–online interconnectivity of the festival’s humanitarian events.
Originalsprog | Engelsk |
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Titel | Global Humanitarianism and Media Culture |
Redaktører | Michael Lawrence, Rachel Tavernor |
Antal sider | 22 |
Udgivelsessted | Manchester |
Forlag | Manchester University Press |
Publikationsdato | 4 jan. 2019 |
Sider | 246-267 |
Kapitel | 12 |
ISBN (Trykt) | 978-1-5261-1729-8 |
ISBN (Elektronisk) | 9781526117304 |
DOI | |
Status | Udgivet - 4 jan. 2019 |
Projekter
- 2 Afsluttet
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Feltarbejde Roskilde Festival
Christiansen, L. B. (Projektdeltager), Olwig, M. F. (Projektdeltager) & Mubanda Rasmussen, L. (Projektdeltager)
28/06/2015 → 05/07/2015
Projekter: Projekt › Forskning
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OCE: The organised cultural encounter: rethinking the conceptual and contextual framework of interculturality through the study of practice
Galal, L. P. (Projektleder), Hvenegård-Lassen, K. (Projektdeltager), Christiansen, L. B. (Projektdeltager), Riis, H. B. (Projektdeltager) & Hansen, R. P. (Projektdeltager)
01/09/2013 → 31/12/2017
Projekter: Projekt › Forskning