TY - CONF
T1 - Sensing (with) Utterslev Marsh - Moving in Relation with Multispecies Ecologies
AU - Lapiņa , Linda
N1 - Conference code: 2
PY - 2025/3/13
Y1 - 2025/3/13
N2 - This performance paper grows out of my ongoing movement practice with Utterslev marshland, a group of shallow lakes in the Northwestern part of Copenhagen. Utterslev marsh is the second largest designated nature area in Copenhagen, and a home to many species of birds, plants and animals. It is protected as a cherished example of biodiversity and “urban nature”, and a target of re-wilding interventions. At the same time, the marsh suffers from pollution. As a result of spills of phosphorus and other chemicals, Utterslev marsh was declared biologically dead in 1970. While the conditions have improved, untreated wastewater continues to be leaked into the marsh, with severe consequences for its multispecies ecologies.In a performative, embodied fashion, the paper diffracts the conflicting enactments of the marsh: a diverse nature-culture, shaped by spatiotemporal logics of urban greening, environmental gentrification, extraction, slow violence and toxicity, multispecies liveliness, and environmental activism(s).The performance paper also draws on the sensory walk Listening for Meadow Times, facilitated by the artist Liene Jurgelāne and myself in September 2024. The walk was informed by our work with voicing, movement and walking methodologies. The paper will contain interactive elements, engaging the bodies and the senses of the audience.
AB - This performance paper grows out of my ongoing movement practice with Utterslev marshland, a group of shallow lakes in the Northwestern part of Copenhagen. Utterslev marsh is the second largest designated nature area in Copenhagen, and a home to many species of birds, plants and animals. It is protected as a cherished example of biodiversity and “urban nature”, and a target of re-wilding interventions. At the same time, the marsh suffers from pollution. As a result of spills of phosphorus and other chemicals, Utterslev marsh was declared biologically dead in 1970. While the conditions have improved, untreated wastewater continues to be leaked into the marsh, with severe consequences for its multispecies ecologies.In a performative, embodied fashion, the paper diffracts the conflicting enactments of the marsh: a diverse nature-culture, shaped by spatiotemporal logics of urban greening, environmental gentrification, extraction, slow violence and toxicity, multispecies liveliness, and environmental activism(s).The performance paper also draws on the sensory walk Listening for Meadow Times, facilitated by the artist Liene Jurgelāne and myself in September 2024. The walk was informed by our work with voicing, movement and walking methodologies. The paper will contain interactive elements, engaging the bodies and the senses of the audience.
KW - Sensory ethnography
KW - Environmental Anthropology
KW - STS (Science and technology studies)
KW - Diffraction
KW - multi-specaies methods
KW - environmental affects
KW - Co-creation
KW - multi-species mapping
KW - Sensory ethnography
KW - Environmental Anthropology
KW - STS (Science and technology studies)
KW - Diffraction
KW - multi-specaies methods
KW - environmental affects
KW - Co-creation
KW - multi-species mapping
M3 - Paper
T2 - STS Hub 2025 'Diffracting the Critical'
Y2 - 11 March 2025 through 14 March 2025
ER -