Abstract
The short film No Bikini (director Claudia Morgado E., 2007) contains a variety of generically
different camera positions establishing different points of view. Cinematographic features
like these are hardly noticed the first time you see this charming short; they are well-crafted
and transparent. A close analysis ventures to show that the camera positions in this film are
intriguingly well chosen, skillfully supporting the viewers’ experience of seeing with the eyes
of a child confronted with some strange norms of the adult world.
different camera positions establishing different points of view. Cinematographic features
like these are hardly noticed the first time you see this charming short; they are well-crafted
and transparent. A close analysis ventures to show that the camera positions in this film are
intriguingly well chosen, skillfully supporting the viewers’ experience of seeing with the eyes
of a child confronted with some strange norms of the adult world.
| Bidragets oversatte titel | Point of View i "No Bikini": - en cinematografisk analyse |
|---|---|
| Originalsprog | Engelsk |
| Publikationsdato | 24 okt. 2022 |
| Udgivelsessted | Danmark/www |
| Udgiver | www.henrikjuel.dk |
| Antal sider | 8 |
| Status | Udgivet - 24 okt. 2022 |
Emneord
- Cinematografi
- kameraarbejde
- point-of-view
- montage