Abstract
A group of youngsters perform their self-composed rap lyrics on stage in the Betty Nansen Theater in Copenhagen. The theater claims, that the performance portraits the youngsters as they truly are – as opposed to the medias portrayal. The play is part of an integration project, co-financed by the Danish Ministry of Integration.
This essay presents a critical analysis of the representation of the youngsters on stage. The analysis is especially based on the concepts of performance and performativity and on hip-hop as a genre framework for the representation.
This essay presents a critical analysis of the representation of the youngsters on stage. The analysis is especially based on the concepts of performance and performativity and on hip-hop as a genre framework for the representation.
| Originalsprog | Engelsk |
|---|---|
| Titel | Hip-hop in Europe |
| Redaktører | Sina A. Nitzsche |
| Udgivelsessted | Berlin |
| Forlag | LIT Verlag |
| Publikationsdato | 2013 |
| Sider | 345-363 |
| ISBN (Trykt) | 9783643904133 |
| Status | Udgivet - 2013 |
Emneord
- performativity
- performance
- hip-hop
- C:NTACT
- integration
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