Facing the Audience: Dialogic Theory and the Hybrid Animated Film

    Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningpeer review

    Abstract

    This chapter explores machinima as a "hybrid animated film" or "hybrid text", with focus on the combination of machinima animation and live-action imagery. Machinima is used as an example of how "novel" or new forms of text evolve. The meaning-making processes of machinima filmmakers and audiences are studied through applying grand theoretical issue on how humans make meaning (semiosis) and dialogic theories pertaining to communication. The dialogic theoretical perspective aids in examining how texts build on previous texts or, are intertextual. Three Bakhtinian dialogic concepts (heteroglossia, genre, chronotope) are applied to analyses of various machinima films, in particular the full-length film My Avatar and Me (2010), because they offer humorous, multiple viewpoints on existential themes. In the discussion, a central theme is how novel forms of text, such as machinima, are relevant for understanding linguistic and cultural evolutions, and may even propel them.
    OriginalsprogEngelsk
    TitelUnderstanding Machinima : Filmmaking in Virtual Worlds
    RedaktørerJenna Ng
    Antal sider22
    Udgivelses stedLondon and New York
    ForlagBloomsbury Academic
    Publikationsdato15 jul. 2013
    Sider85-107
    Kapitel5
    ISBN (Trykt)978-1-4411-0448-9
    StatusUdgivet - 15 jul. 2013

    Emneord

    • dialogisk
    • filmproduktion
    • tværmedial
    • receptionsforskning
    • animation
    • hybriditet
    • virtualitet

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