Composers on stage

the resurrection of the author?

Sanne Krogh Groth

Publikation: KonferencebidragKonferenceabstrakt til konferenceForskningpeer review

Resumé

A trend on the scene of contemporary music is composers going on stage, performing their pieces themselves. Within a discourse of popular music, this is more the rule than exception, but when it comes to the context of contemporary scored music, the historical and aesthetic context differs, and something quite different is undergoing.

This paper intends to discuss three examples of performances in which the composer’s appearance on stage was an important part of the piece, - both when it came to the role as a performer and as an individual person – as representer and presenter. The paper intends to rise the following questions: What happens to the status of the author, when he suddenly (re-)appears on stage? How is this appearance to be understood in both a contemporary and historical context: Is it the musical virtuous appearing again, are we witnessing musical works turning into autobiographical performance art, or is this a result of the so-called X-Factor generation’s appearance in fine arts?

These questions will be unfolded within a theoretical context of performativity addressing central issues such as: Presence, subversion, relationality and presentation/representation (e.g. Jalving 2011 and Fischer-Lichte 2008)
Hereby, the role of the composer appearing on stage is discussed from an aesthetic point of view; meanwhile social and political aspects of the phenomenon are also addressed.

The three artistic works discussed are Simon Steen-Andersen’s Run Time Error (2009-), Niels Rønsholdt’s Documentary Concert (2013) and Johannes Kreidler Fremdarbeit (2009).
OriginalsprogEngelsk
Publikationsdato10 mar. 2014
Antal sider1
StatusUdgivet - 10 mar. 2014
BegivenhedInternational Festival for Artistic Innovation: Innovation in Classical and Contemporary Music 2014 - Leeds College of Music , Leeds, Danmark
Varighed: 10 mar. 201414 mar. 2014
http://goldenpages.jpehs.co.uk/2013/08/13/international-festival-for-artistic-innovation-2014/

Konference

KonferenceInternational Festival for Artistic Innovation
LokationLeeds College of Music
LandDanmark
ByLeeds
Periode10/03/201414/03/2014
Internetadresse

Citer dette

Groth, S. K. (2014). Composers on stage: the resurrection of the author?. Abstract fra International Festival for Artistic Innovation, Leeds, Danmark.
Groth, Sanne Krogh. / Composers on stage : the resurrection of the author?. Abstract fra International Festival for Artistic Innovation, Leeds, Danmark.1 s.
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title = "Composers on stage: the resurrection of the author?",
abstract = "A trend on the scene of contemporary music is composers going on stage, performing their pieces themselves. Within a discourse of popular music, this is more the rule than exception, but when it comes to the context of contemporary scored music, the historical and aesthetic context differs, and something quite different is undergoing. This paper intends to discuss three examples of performances in which the composer’s appearance on stage was an important part of the piece, - both when it came to the role as a performer and as an individual person – as representer and presenter. The paper intends to rise the following questions: What happens to the status of the author, when he suddenly (re-)appears on stage? How is this appearance to be understood in both a contemporary and historical context: Is it the musical virtuous appearing again, are we witnessing musical works turning into autobiographical performance art, or is this a result of the so-called X-Factor generation’s appearance in fine arts?These questions will be unfolded within a theoretical context of performativity addressing central issues such as: Presence, subversion, relationality and presentation/representation (e.g. Jalving 2011 and Fischer-Lichte 2008)Hereby, the role of the composer appearing on stage is discussed from an aesthetic point of view; meanwhile social and political aspects of the phenomenon are also addressed. The three artistic works discussed are Simon Steen-Andersen’s Run Time Error (2009-), Niels R{\o}nsholdt’s Documentary Concert (2013) and Johannes Kreidler Fremdarbeit (2009).",
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Groth, SK 2014, 'Composers on stage: the resurrection of the author?' International Festival for Artistic Innovation, Leeds, Danmark, 10/03/2014 - 14/03/2014, .

Composers on stage : the resurrection of the author? / Groth, Sanne Krogh.

2014. Abstract fra International Festival for Artistic Innovation, Leeds, Danmark.

Publikation: KonferencebidragKonferenceabstrakt til konferenceForskningpeer review

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AB - A trend on the scene of contemporary music is composers going on stage, performing their pieces themselves. Within a discourse of popular music, this is more the rule than exception, but when it comes to the context of contemporary scored music, the historical and aesthetic context differs, and something quite different is undergoing. This paper intends to discuss three examples of performances in which the composer’s appearance on stage was an important part of the piece, - both when it came to the role as a performer and as an individual person – as representer and presenter. The paper intends to rise the following questions: What happens to the status of the author, when he suddenly (re-)appears on stage? How is this appearance to be understood in both a contemporary and historical context: Is it the musical virtuous appearing again, are we witnessing musical works turning into autobiographical performance art, or is this a result of the so-called X-Factor generation’s appearance in fine arts?These questions will be unfolded within a theoretical context of performativity addressing central issues such as: Presence, subversion, relationality and presentation/representation (e.g. Jalving 2011 and Fischer-Lichte 2008)Hereby, the role of the composer appearing on stage is discussed from an aesthetic point of view; meanwhile social and political aspects of the phenomenon are also addressed. The three artistic works discussed are Simon Steen-Andersen’s Run Time Error (2009-), Niels Rønsholdt’s Documentary Concert (2013) and Johannes Kreidler Fremdarbeit (2009).

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Groth SK. Composers on stage: the resurrection of the author?. 2014. Abstract fra International Festival for Artistic Innovation, Leeds, Danmark.