Abstract
The art project Becoming Sheep (2015), in which Charlotte Grum connected herself to a live sheep for 5 weeks, intended to explore the apparatuses producing human and non-human animals and to evoke the embodied and embedded mattering processes and practices, producing these very phenomena. Becoming Sheep turned into a diffractional aparatus cutting some things together and other things apart.
Originalsprog | Engelsk |
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Tidsskrift | Performance Research: a journal of the performing arts |
Vol/bind | 22 |
Udgave nummer | 2 |
Sider (fra-til) | 69-73 |
Antal sider | 5 |
ISSN | 1352-8165 |
DOI | |
Status | Udgivet - 1 jun. 2017 |