Resumé
| Originalsprog | Fransk |
|---|---|
| Titel | Montrer les esclavages et leurs héritages : Films et regards de chercheurs |
| Redaktører | Marina Rougeon, Patrick Deshayes |
| Antal sider | 19 |
| Udgivelses sted | Lyon |
| Forlag | Presses universitaires de Lyon |
| Publikationsdato | 2016 |
| Sider | 51-69 |
| ISBN (Trykt) | 978-2-7297-0908-2 |
| Status | Udgivet - 2016 |
Citer dette
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Au-delà des mots, l’émotion : réflexion autour de rapports entre le film de recherche et le texte scientifique. / Hahonou, Eric Komlavi.
Montrer les esclavages et leurs héritages: Films et regards de chercheurs. red. / Marina Rougeon; Patrick Deshayes. Lyon : Presses universitaires de Lyon, 2016. s. 51-69.Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › peer review
TY - CHAP
T1 - Au-delà des mots, l’émotion
T2 - réflexion autour de rapports entre le film de recherche et le texte scientifique
AU - Hahonou, Eric Komlavi
PY - 2016
Y1 - 2016
N2 - What can a film show that cannot be written? Based on the documentary movie Yesterday’s slaves. Democracy and ethnicity in Benin, this article discusses what film brings to the research on slaveries and their legacies. The author reflects on the complementarity between documentary films and the classic scientific text. The reflection is structured around four components: the benefits of the audiovisual media as a complementary classical scientific text serving the dissemination of knowledge; the emotional dimension of social life and the use of empathy in the production of knowledge ; using the camera as a specific mode empirical data production; and finally the performativity of ethnographic film on ethnicity. These words are followed by a more general discussion on how films renew our understanding of topics concerning contemporary and past slavery.
AB - What can a film show that cannot be written? Based on the documentary movie Yesterday’s slaves. Democracy and ethnicity in Benin, this article discusses what film brings to the research on slaveries and their legacies. The author reflects on the complementarity between documentary films and the classic scientific text. The reflection is structured around four components: the benefits of the audiovisual media as a complementary classical scientific text serving the dissemination of knowledge; the emotional dimension of social life and the use of empathy in the production of knowledge ; using the camera as a specific mode empirical data production; and finally the performativity of ethnographic film on ethnicity. These words are followed by a more general discussion on how films renew our understanding of topics concerning contemporary and past slavery.
KW - slavery
KW - movie
KW - legacies
M3 - Bidrag til bog/antologi
SN - 978-2-7297-0908-2
SP - 51
EP - 69
BT - Montrer les esclavages et leurs héritages
A2 - Rougeon, Marina
A2 - Deshayes, Patrick
PB - Presses universitaires de Lyon
CY - Lyon
ER -